Blau & Blau
A reader recently commented on my blog note from two years ago. It actually had me thinking whether I’d not been too harsh towards Austrian red wines. Easy to check…
A reader recently commented on my blog note from two years ago. It actually had me thinking whether I’d not been too harsh towards Austrian red wines. Easy to check…
2011 edition of the Pannon Bormustra was meant to give a new lease of life to this respected Hungarian competition – and it did. The 48 winners confirm this.
Stéphanie Berecz of the Kikelet winery in Tokaj is one of my wine heroes. In a region where wines notoriously beat world records of concentration, her style is subtle and concentrated. Her patient work of a decade is being rewarded today with a precious accolade.
A lightning visit to Budapest to taste the 48 wines awarded at the 2011 Pannon Bormustra competition: hopefully the crème de la crème of Hungarian wine.
Four vintages of one of Tokaj’s very best dry wines: Dobogó Furmint.
The famous Csaba Malatinszky sends me 6 bottles to try…
In fact this is a fairly light take on Kékfrankos. It’s surprisingly light in colour, and light-medium-bodied with a fair bit of acidity; a profile that was rarely encountered in Hungary before (although it’s becoming more widespread now). Those unfamiliar to Kékfrankos will surely say it tastes like Pinot Noir, and I’d recommend to drink it at 15C. Yet’s it’s a fairly multi-layered wine with reasonable complexity of herby, meaty, earthy notes on the nose and some succulent sweet strawberry fruit on the palate. No oak in sight, very digestible and more elegant than almost any other Hungarian interpretation of the grape. (I’m told Luka wines were formerly much on the oaky and extracted side, but this 2008 is very balanced).
Until recently, Sopron in Western Hungary has been quite a puzzling wine region to me. The potential for serious red wine is obvious, but for too long the region has relied on a single vintner: Franz Weninger Jr. (although it took me some time to accept the amount of oak in his wines). The rest – Jandl, Taschner, Pfneiszl – have been decent but little more. It sorrowed me even more knowing that a few kilometers across the Austrian border, in a patch of land that is historically Hungarian and has almost exactly the same terroir, some terrific wines are being made, red and white, courtesy of such producers as Josef Umathum and Heinz Velich.
Sopron seems to be on the upswing, however, and apart from the increasingly impressive wines of Weninger, it has two great new players: the idiosyncratic Ráspi and the dynamic Luka. The wines of Luka are ambitiously priced – this Kékfrankos at 13€ from the Bortársaság wine shop chain is their cheapest wine – but judging from this bottle, well worth it. Now I’m really curious to taste the other bottlings.
Source of wine: own purchase.
(Some) expensive Hungarian red wines are a disaster.
Well, today’s balsamic vinegar comes quite close. It’s made in Tokaj, Hungary, by one of the leading producers of the region’s sweet wines: Dobogó (mentioned twice in my blog already: here and here). It’s vintage-dated (I’m tasting the 2005 here), and it’s made with must from aszú wine – yes, the incredibly sweet noble-rot affected ‘wine of kings, king of wines’. Even the bacteria that slowly ferment the wine into vinegar are selected from the skins of the estate’s Furmint grapes. Aged a year in Hungarian and Italian oak – and so very much shorter than a good Emilian balsamico – it’s one of the most concentrated vinegars I’ve tasted. While it doesn’t quite match the ageless viscosity of Modenian vinegar, it is very thick, with a wonderfully complex flavour ranging from fresh grapes through molasses to tertiary notes of caramel, dried figs and Marmite. Just a bit less sweet than Modena, the tang of this Tokaj vinegar is a bit more obvious (6%), making this a very good accompaniment with savoury foods. And it’s really inexpensive – 10 € for the 250 ml you see on the photos – though I don’t think it’s exported.