Wojciech Bońkowski
Master of Wine

Massolino: the power of terroir

Live blogging from Piedmont, part 6. ‘Diagonal’ tasting (horizontal of 3 different single vineyard wines in 4 vintages) at Massolino winery.

2008 Barbaresco: surprises

Live blogging from Piedmont, part 5. Concluding my tasting of 2008 Barbaresco. Some really good wines, and why terroir is important.

Barolo 2001: a great vintage

Live blogging from Piedmont, part 4. Taking a break from 2008s and 2007s I taste 60 different Barolos from 2001. It is certainly a great vintage for the king of Italian wines.

Nebbiolo Prima 2011, day 1: improving Roero

Live blogging from Piedmont, part 3. Tasting through 2008 Roero and 2008 Barbaresco. At this stage, looks like a challenging vintage: high tannins and acids but low fruit.

Amazing Arneis

Live blogging from Piedmont, part 2. Arneis is usually a light commercial wine. In an amazing tasting at Angelo Negro we taste serious Arneis back to 2001.

Nebbiolo Prima 2011: a good start

Live blogging from Piedmont, part 1. Starting the week slowly with some delicious local food and the best wine to match: white Arneis. The best Arneis is currently made by Ghiomo, a small winery in Guarene.

My life with Pio Cesare

I never really liked the wines of Pio Cesare upon release, in their youth. Recent tastings have instilled a doubt in my mind. So I put Pio Cesare to the 10-year test.

Patience required

Barolo and Barbaresco age well. I checked. Click for details.

Goodbye barrique

My first day at the Nebbiolo vintage presentation here in Alba was dedicated to Roero (the Nebbiolo grape’s northern outpost, with simpler, most rustic wines, and a few standouts such Monchiero Carbone’s brilliant 2006 Printi Riserva, and the lesser-known Ghiomo wines) and Barbaresco. For Barbaresco, it’s the 2007 vintage that’s on the tasting table. I’m really happy with 2007. Most wines are showing some terrific fruit and very good freshness. They’re also tannic, but less dense or structured than in big vintages such as 2004 or 2006. They might not be for the very long haul but the fruit in many is irresistible. 
 Giuseppino Anfossi of Ghiomo: great guy, lovely wines.
My top wines of the day came from some lesser-known estates (well, that’s the charm of blind tasting) such as Cascina Morassino and Punset (Campo Quadro and Basarin). Tasting 60 to 70 very similar wines blind often distorts your perspective more than non-blind tasting would, but Morassino was top of my list two years ago too, so it’s no coincidence. Marchesi di Grésy and their winemaker Marco Dotta also made some terrific wines: not only the Martinenga 2007 but also the Camp Gros 2004 and 2000 were extremely impressive. 
It’s generally been my best Barbaresco tasting ever here in Alba. Not just because the wines were so good (many were) but also because the winemaking approach is very clearly changing for the better. In the past, many Barbarescos were marred by overambitious vinification, overextraction, dry tannins and an enthusiastic embrace of new oak (which is a notorious disaster with most Nebbiolo-based wines). Five years ago the majority of the new bottlings were dark and inky as Chilean Cabernet. This year, the colours are luminous crimsons and rubies with the typical Nebbiolo wide rims often falling into orange. I’ve taken the below photo from a random sample this morning, and it really shows how the return to tradition is gathering momentum. Gone are the years of creamy vanilla new oak Nebbiolo. These wines are becoming the ridiculous anomaly rather than the norm, as the grape’s natural freshness and bright fruitiness is allowed to speak freely. That’s good! 
 
Disclaimer
My stay in Italy including flights, accomodation and wine tasting programme is paid for by Albeisa, the Piedmontese producers’ association. All the wines mentioned in this post were provided by the producers.

Four delicious Barolos

I’m off to Barolo on Sunday for an exciting tasting of the newly released 2006s. As I mentally prepare for the high acids and assertive tannins of this classic Italian wine, I opened a few bottles from the wine rack. Proudly traditional Barolos exactly as I like them.
The estate of Aurelio Settimo, now run by Aurelio’s daughter Tiziana, has vineyards in the village of La Morra, and more precisely in the lower-lying neighbourhood of Annunziata. This is the warmest part of the Barolo district and usually delivers wines of high ripeness and power. But the grand cru of Rocche, due to its special soil, yields a more structured tannic Barolo that usually needs of considerable bottle age to soften. I tasted the 2004 and 2005 Rocche. The former is considered a better vintage. Made in an orthodox traditional style with very long ageing in large oak barrels (botti), the nose here is a little reticent (raspberry, cranberry, minor cherry) but the palate, with its powerful architecture and unadulterated Nebbiolo tannins, is very satisfying; 2004 is a tight vintage for the long haul and it really shows here. While the tannins are fierce here, all the elements necessary for a positive evolution are present: balanced acidity, elegant fruit, minerality and very good length, although it seems a bit low on fruit at the moment.

The Barolo Rocche 2005 is just a little fuller in colour but also with a hint of orange, a real Nebbiolo. The nose is a cooler climate thing than the 2004: plumpier, fruitier, more cherry than cranberry, less rigid and austere at this stage. It’s really quite attractive, and the palate is also more approachable with more presence of fruit at mid-palate, and less aggressive tannins. I have a soft spot for the mouth-puckering no-prisoners-taken style of the 2004 but for overall balance and harmony the 2005 is more attractive today, no doubt. It’s really quite a difference between the two, in fact.

The Settimo style is a bit of an endangered species in Barolo these days, as more and more estates move to a fruitier, less austere expression of Barolo. To me, there’s something beguilingly noble and alluring in the bittersweet, tannic juiciness of these wines. Long may they continue.

The other trio of samples came from Luigi Baudana, a rather obscure traditional estate that as of 2008 has been taken over by Aldo and Milena Vaira of the superstar G. D. Vajra estate; it’s their eldest son Giuseppe that will be overseeing the production here (the labels and ranges will be kept separate). I tasted the rather neutral and forgettable Langhe Chardonnay 2008 that was rather neutral, and two very good Barolos. The simple blended Barolo 2005 is what I would like to drink more often: a simple (but authentic), medium-bodied, everyday drinking Barolo. Low-key on the nose with moderately intense fruit, herby and spicy, it shows a palate that’s very classic in style, clean with good length, balanced tannins, ripe acidity, if again a little unfruity and unintense. Where it lacks in intensity and boldness it scores very high is purity and authenticity: for a duck breast risotto last Sunday I really needed nothing flashier.

The Barolo Baudana 2005 (grapes from the Baudana and Cerretta, on the structured white soils of Serralunga d’Alba) is a more serious affair. Less vegetal, more floral than the 05 Barolo above, it shows an outstanding evolution in the glass. Concentrated and textured, this shows ripe tannins and unaggressive acids, but also more minerality and tannic structure with time in glass. The 2005 Barolos are typically soft approachable wines that will not age endlessly but this one, with its tight minerality, should two or three years. It really bodes extremely well for the Baudana estate under its new management.